Dr Media says watch this move towards providing content for free, just like TV ain’t it and why is free TV free, because it supported by ads, well guess what will be happening in this space, and why not, free TV is still free isn’t it?
The key here is to track the market segments responses to shows so this data can be monetized to the advertisers.
Watch this space, more to come.

Bebo gives free access to TV and music | Media | Guardian Unlimited

Bebo gives free access to TV and music

* Jemima Kiss
o Jemima Kiss
o Guardian Unlimited
o Tuesday November 13 2007

Youth social networking site Bebo will offer free content from major broadcasters – including the BBC – and record labels when it launches a series of media channels today.

The Open Media platform will also feature programmes from the BBC, ITN, Channel 4, BSkyB and Endemol in the UK, and CBS, Turner, MTV and ESPN in the US.

Programmes will Include Robin Hood and The Mighty Boosh.

Companies can embed their own media player on their Bebo channel, including their own advertising, and customise the page for their brand.

Following the launch at noon today in London and New York, additional media companies will be able to add their content through a “self-service” system.

Content will be free for Bebo’s 40 million users to access, and content companies will receive 100% of revenues from in-video advertising – something that Bebo hopes will be a major incentive over similar offerings from rivals MySpace and Facebook.

Open Media also includes content from web-based services including music recommendation site Last.fm. user-content channel SumoTV and comedy site Crackle.

Evan Cohen, the Bebo director of strategy and operations, said the platform was not just an distribution tool, but an opportunity for media companies to exploit Bebo to cultivate the community around their brand.

Media content spreads virally, finding those “hard to reach” younger audiences who spend the majority of their time online.

Although media companies might prefer to build this community on their own site, said Cohen, “the reality is that they are not able to”.

“There’s a shift from that very possessive model of building up your own site to the super distributed mode – ‘let’s go where the audience is’,” he added.

“This is a natural fit with younger audiences who see entertainment as a form of engagement and self-expression. Their life is about expression and defining who they are.

“The foundation of the site is communication but we want to build on top of that a compatible and powerful service of professional video and music that users can watch and put on their profiles.”

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